|| the MISSION ||

To create a new model for financing, producing, and distributing creative works of film and television that center Black, Brown, and marginalized creators as owners and stewards of our own work.

A New Model

Our work is not niche. Our audiences are not imaginary. We believe the industry needs to change; that there are enough resources for everyone to thrive, and that wealth must be shared, decentralized, and rooted in intentional community investment.

||the PLAN||

real. Borderless. Connected.

No borders. No controlling market. Our collective convenes across cities and regions historically overlooked by the industry — each location becomes a temporary hub of cultural production, political education, healing, and collective imagination.


Collective member Tara Jae is raising funds for YouthSeen — a Denver-based organization building joy-filled spaces where QTBIPoC youth are seen, supported, and celebrated.

YouthSeen provides mental health and wellness services, affirming family programs, and intergenerational care, rooted in the belief that community is the foundation of liberation.

Donate to the Campaign

Learn more about YouthSeen

Created by Collective member Julian Waddell, filminalabama.com is a centralized hub of local film resources, created by and for Southern creators.

His vision extends further. T.R.U.'s decentralized circuit is more than a touring model — it's an economic engine. Every city activated, every filmmaker platformed, is a direct investment in regional ecosystems the industry has long overlooked.

The circuit validates what local creators already know. It strengthens foundations. State by state.

SISTERS OF THE SHATTERED MOON

When a teenage girl discovers the corruption of her futuristic suburban idyll in the clouds, she is expelled to a vast underworld of endless night. Down below, she must navigate environmental disaster and recruit mysterious allies in a race to free her sisters from the dangerous overlords of her society, whose control tactics range from psychological manipulation to outright murder.

Produced and Production Designed by Collective member Ashlee Blackwell, the film continues the underestimated but undisputed brilliance of our contributions to the Horror genre.

Watch the trailer

Learn more

We're Not in Harlem Anymore

In 1937, cynical and disgraced Harlem private eye Harry Wisk is investigating the murder of a rich and powerful white man while he navigates past relationships, a web of lies, and his own “criminal” history.

Written and co-directed by Collective member Tarik Rashaan Davis, the film bridges the Golden Age of Hollywood with the history it erased.

Watch the trailer

Support the work

Help!

A resilient nanny is trapped with a combative little boy and his abused mother in 1960s rural Texas.

Written and directed by Collective member Alex Chew, this film has been featured at film festivals around the world, including the Rome International Film Festival (2024) and the Martha's Vineyard African American Film Festival (2025).

Watch the trailer

Learn more

I’ll Sleep When I’m Dead

In the middle of the night, a bedridden woman in a nursing home receives a late-night visitor from beyond the veil.

Written and directed by Collective member Alex Chew, this film is expected to be another thriller you’ll want to check out.

Learn more

The System Isn't Broken

It's Working As Designed

|| the VISION ||

Traditional gatekeepers hoard resources. Development pipelines erase risk-taking. Distribution systems prioritize profit over impact.

We are no longer waiting to be invited inside.

  • Stories have the power to shape our reality and reimagine the future. We believe we have the right to tell our stories and be the stewards of that journey. 

    Our work is not niche. Our audiences are not imaginary. 

    We believe the industry needs to change. There are enough resources for everyone to thrive, and the wealth must be shared, decentralized, and rooted in community.

    • Traditional gatekeepers hoard resources while claiming diversity

    • Independent creators are pushed into unsustainable hustle economies

    • Development pipelines erase risk‑taking, and favor mediocrity 

    • Distribution systems prioritize profit over impact

    • We are no longer adopting the systems that benefit from our exhaustion to support us

    • Showcase works from filmmakers and creators local and national

    • Partner with grassroots organizations, educators, and activists

    • Share and explore new resources for sustainable and ethical industry practices

    • Screen work in community spaces, theaters and cultural institutions

  • Every convening is an opportunity to expand minds and create new avenues for education

    We exchange knowledge through curated events:

    • Cultural workshops on topics addressed through film

    • Support communities in mental and emotional wellness through art and education

    • Workshops on reimagining film financing and ownership

    • Exploring marketing and new forms of distribution

    • Invite educators to conduct salons on cultural history and legacies 

    • Spaces for social and emotional support 

    • Provide mental health education and resources

  • Mutual accountability, shared leadership, ongoing reflection and critique. We build structures that can outlive us.

  • Underrepresented creators control their work and its afterlife. Local communities see themselves reflected with dignity and complexity.

  • We commit to:

    • Fair pay and humane working conditions

    • Clear expectations and shared leadership

    • Accessibility and safety for all bodies

    • Respect for cultural specificity and lived experience

    • We believe how a story is made matters as much as what ends up on screen.